To see our Printing Blankets and Runners Guide follow this link. The difference is the Jack Richeson Printmaking paper is 88lbs which is still sturdy, but a bit less stiff than the bristol board. A set of 2 Swanskin Printing Blankets 1.5mm thick £180. The print turned out lovely! With hardly anymore pressure or frustration involved. The second paper I tried is the Jack Richeson Printmaking Paper I have written about in my paper resources page. The print came out well using the Bristol board.Īs good as this was, since I knew that I was going to be using this press for demonstration purposes, I knew I needed to change papers. After some more adjustments, I used more pressure on the press, with the help from someone with stronger hands than I. Skip to main content (800) 828-4548 Live Chat Search. Changes from intaglio to lithography in as little as 5 minutes. Lets just say that it did not work either. The only press on the market that prints all mediums including stone lithography, which is not possible with traditional presses. The first thing I thought of was to press harder and to utilize not just the felt that the press came with, but also an etching press blanket I had extra. I knew I could get a good print, I just needed to alter some things. The inked block can be placed inside the chase and locked in with other blocks of the same height. Artists sometimes build a frame around the block to form a sort of ‘chase’ and this can work well on larger presses with thicker blocks. Find some amazing and collectable second hand printing presses, with many available from sellers all over the UK. One of the nice things about printmaking is that there is always room to experiment and problem solve. Using runners, or rails, is only one method for printing relief on an etching press. Since I was used to my etching press, I somewhat expected the print to come out pretty well on the first try. There is a reason why certain papers say it is good for printmaking or not.
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